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More To Read

by Evan Diem

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crvander
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crvander Evan Diem is an icon, a role model, a genuine human being, and coincidentally an extremely talented artist. This album is fantastic and relatable beginning to end, and it's more than just a bunch of songs, it's a work by a character that makes you want to hear more of what they have to say. Favorite track: Whole Heart Shape.
elliott 🌻
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elliott 🌻 Evan is a fantastic dude and an incredible artist. From the first time I heard him play, I was stunned by the musicality and lyricism of his work. I couldn't be more proud of him or more excited about this album, which is a masterpiece from start to finish. Favorite track: Neutral.
EvH
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EvH Clever and emotionally nuanced songwriting from one of the most promising songwriters around. Fans of Nick Lowe, the Mountain Goats, Phoebe Bridgers, and Lucy Dacus take note, this is not an album to miss! The opening and closing tracks show how to sequence a record and highlights like Whole Heart Shape and Neutral stay with you in a unique way. Favorite track: Whole Heart Shape.
myles_c
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myles_c I'm not surprised that this record is phenomenal, because everything I've seen or heard from Evan has been excellent. You can tell what an extremely talented, funny, smart, and caring person he is. Every track is written with thought and performed with emotion. I've already gotten a couple of songs stuck in my head (To Be Pulled and Save/Quit in particular) for their tone and lyrics.
Great music! Favorite track: Save/Quit.
xanderinthewild
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xanderinthewild It's near impossible to pick a favorite song on this album.
Evan's songs are vulnerable without being overly open, cute without being twee or saccharine, and clever without being showy. All those inspirations and true stories meld into a set of songs that brilliantly captures a number of influences while being entirely his specific, unique voice.
TL;DR: the album slaps, it’s exactly the vulnerable, catchy soundtrack for realizing how every person is interconnected that we all need and deserve. Favorite track: Neutral.
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1.
To Be Pulled 02:29
You can take a break from being perfect and straight to show you’re leaning off-center or the way that you abbreviate in your descent, going under cover in the nice white lines made up of all your brothers. And they stand up straight like pickets in the suburbs and you’re afraid to link up with each other. They want to pull you until you change, you can fight back hard enough and force them to accommodate. You can be the queen with your own crown, oh, now doesn’t that sound cool? Scream when they pull you out, shouldn’t have been allowed to. Loudest one they’ve gotten, mouth full of cotton wool. You put up a fight, you know what it’s like to be pulled. You can have your back turned or be too big, you’ll see nobody else go as far as you did. If when you came out you were told to be less bold just know if they tear you out, you’ll come back gold. You made it hard to swallow, you’re Apollo with the arrow. If your body’s Picasso’d, you’re hollowed. you’re narrowed. You’re a bottom up riser, a top down fighter, you’re an inside traitor, you’re a riot inciter. You can be the queen with your own crown, oh, now doesn’t that sound cool? Scream when they pull you out, shouldn’t have been allowed to. Loudest one they’ve gotten, mouth all full of cotton wool. You put up a fight, you know what it’s like to be pulled.
2.
People Face 02:22
Crawl down in the dust in the dirt, if you don’t get found you can never be hurt. If you don’t wanna battle, it’ll never happen. If you show your people face, you’ll never be combatant. No, you’ll never be combatant. Take leave in the space in between the unswept floor and the frame underneath. If there’s one who doesn’t fear you, you can be sincere to, remember to leave a space and maybe they’ll go near you, Yeah, maybe they’ll go near you. If a hard break feels like decay, don’t smile; they may run away. Just know you’re soft to touch either way. A lighter side, people face. A lighter side, people face. Walk up from the dust and debris. Skip your heartbeat and jump a degree. Cover up a blemish with purring pure intention. If you show your people face, you’ll always get attention. You’ll always get attention.
3.
Cat Pictures 04:39
I will show what we can do sending pictures of me and you. Label them with “ich” and “du.” This is how we lie. This is how we communicated around boundaries of who we dated. The messages we mean abbreviated. This is how we let things lie. Where do we draw the line? Right after feline; before the light goes out on the pictures we send. You were there when I was really not. You know how dark I really got. Will we get ever get a shot? In the dark, we trivialize. And we’re as cute together as what we show each other. And we will get another shot in the dark, we visualize. Where do we draw the line? Right after feline; before the light goes out on the pictures you see, received from me. I’ve written on each you’ll find. The labels worth more than the thousands they describe. I will show what we can do sending pictures of me and you and label them with “ich” and “du.” This is where we draw the line.
4.
You can light up a room in a heartbeat with a heartfelt smile Who can deny to you an eyeroll and an I heart you? Find time at the end of your life for the selfishness that you deserve. You can try mine, you know it’s nice, and the light will shine back from the world. Because you’re bright overhead that never burns out And the nights when I’m in bed, damned but not in doubt. And I’ve acclimatized to the life that you provide And I could never go without Freeze frame on whose face to blame it’s pictures and pictures of you For my happiness, who I miss. I insist, I insist it’s you Because you’re the kite flying in the wind without a string tethered to the earth by a love for everything. And I’ve acclimatized to the life that you provide and I could never do anything. Make me a place in the heart that lights up a room with a beat. I’ll break pace and make space in mine like you did for me Because you’re the sweet tooth, honey in the mouth and the hard truth and money on account. And I’ve acclimatized to the life that you provide and I could never go without. No I could never go without. I could never go without.
5.
Save/Quit 02:50
What level are we on? They say it’s darkest before the dawn but then it’s darkest before it’s gone. Short breaks: stay on your honor. Absence makes the heart grow fonder or it makes the heart start to wander. Forgiveness restores the way we were living. Leads you to forget what was written, you forget what was forgiven. Desperate thoughts start to haunt her. What doesn’t kill you makes you stronger or it makes your death a lot longer. Running out of slots to save onto. Hurt me once, shame on you. Hurt me twice, shame on you.
6.
Neutral 03:50
I just don’t wanna be hopeful I don’t just wanna be good I feel I’d rather be coastal but I’m landlocked where no one sets foot And I’m shot back into limbo Fell straight down to the plane Crashed too hard to write symbols Too exhausted to be profane And I just wanna be useful Don’t wanna be felt neutrally I don’t wanna be neutral I feel unwantably neutral Even if I know it’s not true It feels hyper-realistic I could be a hypochondriac Because it might not be real but I still feel sick And I just wanna be useful Don’t wanna be felt neutrally I don’t wanna be neutral I feel unwantably neutral And I don’t wanna be hopeless Making hate when I can’t find love If I never made you happy or you faked it Hatred is better than knowing I was never enough To tip scales either way I’ve mapped it out with the math I’m dead center on spectrum Invisible line on a graph And I just wanna be useful Don’t wanna be felt neutrally I don’t wanna be neutral I feel unwantably neutral And they say you’ve got nothing to fear though But a slope to be sliding on This warning sine around zero You never know what side you’re on And I just wanna be useful Don’t wanna be felt neutrally I don’t wanna be neutral I feel unwantably neutral
7.
It's Over 03:21
It starts with a twitch, a stitch in your chest you’ve been choking for months and starving for years of affection you lost, the catch in your throat squeezes your neck and it wrings out your tears Your heart pounds in your head, drilling into your brain Loose space in your chest starts to wrench up your lungs The words you’ve wanted to say bite like a spike through the tip of your tongue and it’s over, it’s over, it’s over, it’s… The foundation is hot with saltwater and cracks leaving lines in your face you could trace like a map Vision like a vignette closing blurry and black They don’t believe your love but they’ll believe the collapse Lungs paralyzed as you try to speak, to a part of parent’s pride you’ll never meet And to the right guy, you find at your feet And you fall in love and he thinks you’re sweet and it’s over, it’s over, it’s over, it’s… You try to act normal, like everybody is else worth his time like somebody else’s tears are drowning you to sleep every night When you breach the morning, trying to find the right thing to say And if you tell a lie over and over, soon enough the truth goes away And I’m over, you say, I’m over, you say, I’m over it You remember the moment right before it was over if you unwrote the last hour you could have it all back You imagine a life: nice bright future beholden But you had thought of a theory you had taken as fact That was a sign of the way you say it could’ve gone The snap of a heartstring you thought was too strong You’re sustained on the stress that arrests your insides You either die letting it out or the pain keeps you alive
8.
Relativize 04:33
You can say it to yourself if nobody else will recognize You can mark out on your own Goals set in milestone Never let them Never let them go Relativize If they won’t have your back Or they won’t have you back Then sanitize You’re not alone just older So cry on your own shoulder Never let them Never let them relativize you Gotta get out of here Yeah I thought about it Get ‘em up out of your hair Yeah I thought about it Clear voices up in your head Yeah I thought about ‘em I can be the only one to cheer But I don’t need to talk about it They can relate it to some disease But it’s crazier not to see the way you vocalize Out of the buzzing behind your eyes There’s nothing wrong support But if you’re getting from the source Never let them Never let them relativize If you don’t mind You’ve got your own business to mind There’s not right For them to eye you and find it strange And if you really wanna speak your mind And they don’t wanna witness change Then they should do the same Pick somebody else and pick their brain
9.
Blocked 03:44
I’m sorry to make you feel so upset, unsure inside your worries, and insecure. You’re pulling out all the stops, I bet, to protect your prized possession just a little more. but who’d you fix it, fix it, fix it for? who’d you fix it, fix it, fix it for? I wanna be the supportive kind that the heart-to-heart she and I shared incentivized. But I bet I’ll break off a bit of my mind, not the vitamin to simulate sunshine; you’ll realize. But did you fix it, fix it, fix it in time? Did you fix it, fix it, fix it? There are no bridges to burn down. They tried to put one up but it fell and all the workers drowned. We’re kissing in the image maybe burned in your head. Never cut contact now you wanted it dead. Ghost in the recorder, you recorded over. How’s the strength in your arms vs. the weight of what I said? But can you fix it, fix it, fix it again? Can you fix it, fix it, fix it? There are no bridges here to raze. The gap’s too wide to build one anyway. And if I’m wrong, I’m sorry for the gasoline, pocket full of sunshine, matches scattered on the scene. Bent all out of shape before going off too soon. You can be in love, that’s not a good enough excuse. I’ll strike up a toast and say I suppose you’re not a murderer for making a girl go ghost. Maybe if you were stronger you’d see no longer is this situation one in which I have imposed. But can you fix that, fix that, fix that so? Did you fix that, fix that, fix that so? ‘Cause you don’t get to choose who your friends talk to give your reasons, and wish that they listen to you, not your permission, not your dismissal. Subscribe to the idea and the issue is with you. But did you fix that, fix that, fix that, too? Did you fix that, fix that, fix that, too? Did you fix that, fix that, fix that? There are no bridges here to raze. The gap was too wide to build one in the first place. I’m sorry to make you feel so upset.
10.
Fix the notion that you’re broken Find the motion to leave home If your feeling heart is hopeless You don’t have to hold it all alone To cut it’s hard to hear But the bandages are here So brandish knives with care Or vanish into air We’ll hold our plates Cut a hole heart-shaped Bite the blacktop when you back out Or blackout on the bathroom floor To run away is overrated Just let me in is all I’m asking for To open’s hard to do When the opening is you But a doorway’s not the hole where a person leaves their soul We’ll hold our spades And dig a hole heart-shaped Wash away the way it held you The weight of waiting to wake up If its pull makes your heart heavy It’s time for you two to break up It’s not all your choice what to do But it’s ours to help you through So we’ll all bear the weight As you fly up and escape We’ll hold each piece in place Make a whole heart shape
11.
Don’t wanna start pointing fingers For fear of those going against the grain Don’t wanna be a bee with a stinger Leave an impression that’s defined by the pain Don’t wanna be hook line and sinker For fear of all the fish in the sea A waste of time or replacement Either is worthy of a catch and release And I’ll know suddenly, And I’ll know eventually. I’ll know suddenly, I’ll know. Feels like a punch in the stomach When I don’t know to stick or to move I’m up against the ropes or I’m running But it’s my decision to lose Don’t wanna waste all your patience If my condition’s too hard to diagnose I hope when I see you in the future I’ll try not to overdose But I’ll know suddenly, And I’ll know eventually. Yeah I’ll know suddenly, I’ll know.
12.
More To Read 04:54
We can take our time, as much as you need I’ll be there waiting, aerating that space with silence. Crank up the range on the milage; I don’t care. Just give me more to read. And if it’s gone, give me a sign. “No” will never bother me, but not knowing might. No cracking heartbreak inside or love to bleed. Just give me more time. Push the waste aside and get over it. There’s no place for pride, if I only tried you’d try again So for this to end, let me know when and I am there. Maybe you’ll go with it. ‘Cause I’ve been working on securing the eviction notice And if I could talk with conviction then I think I’d solve it. I wouldn’t think about you if I knew what to think about you or maybe I still would. And over time I learned your name. But the first quarter is sort of all I really use, so if I’m confusing you or I start losing you then I’m over the games. ‘Cause maybe you’re just hard for me to read. I check your eyes to summarize, but it’s a language I don’t speak. So I’ll be patient for a translation or you can spoil it for me. ‘Cause I’ve been working on securing the eviction notice And if I could talk with conviction then I think I’d solve it. I wouldn’t think about you if I knew what to think about you or maybe I still would.

about

I often catch myself attempting to strike a difference between a song being about someone or something and being inspired by them. This is an album of real inspirations and true stories. Each of these songs ties me to someone in my life for better and, in a couple small instances, for worse. But ultimately, we don't get to choose our inspirations. The songs get written and we hope that they connect both backwards and forwards; to the people they came from and the people who find meaning in them.

Even though they never set foot in the recording studio, I could never have conceived, written or completed these songs without Jan, Sam, Alli, Ana, Bailey (RIP), Pauline, Lydia, Jim, Gabbi, Molly, and Charlotte. Thank you all for giving me this album.

credits

released September 1, 2020

Thank you to Ben Mueller, who was the main driving force in the studio. This album simply doesn't exist without him, he is the reason it sounds as good as we both believe it does.

All songs on More To Read were written by Evan Debevec-McKenney
and recorded/mixed/produced/mastered by Ben Mueller at Janky Sounds, Windsor CT.

Spencer Newton had one job and he eventually did it well. Thanks bud. Cat Pictures wouldn't be the same without your touch.

This album was primarily sequenced by Joseph Limber, so if you can spot a cohesive narrative throughout the arch of More To Read, thanks for that go to them.

The cover art for More To Read was commissioned from Natalie Padberg Bartoo, my close friend and my favorite visual artist.

The cover art for the singles To Be Pulled and People Face were commissioned from Sam Bree, a close friend and inspiration.

Album cover merch is available here:

evandiem.threadless.com/designs/more-to-read

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Evan Diem Syracuse, New York

Relatable songs on overly-specific subjects.

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